Sunday 28 January 2024

Sketching From Nature

Lump of Moss
Ink and Watercolour
Stillman & Birn Alpha Series Sketchbook
14.0 x 20.3cm cm (5.5" x 8.0")

Since October 2023, I've been reading a section of the Curious Nature Guide by Clare Walker Leslie each week and using it as the inspiration for a sketching exercise. 

Rosemary
Ink and Watercolour
Stillman & Birn Alpha Series Sketchbook
14.0 x 20.3cm cm (5.5" x 8.0")

Using a prompt for what to sketch is helpful for a couple of reasons: 

  • It cuts down the time I need to procrastinate about what to draw.
  • It encourages me to try subjects I might not have otherwise chosen.


Early Autumn
Ink and Watercolour
Stillman & Birn Alpha Series Sketchbook
14.0 x 20.3cm cm (5.5" x 8.0")

The sketches have been of varying quality, but the results aren't that important. What matters is the time I've spent drawing and intently studying a subject. The pictures on this post are my favourites. You can see all 13 sketches on my YouTube channel (Sketching From Nature – Getting Started).

Lavender
Ink and Watercolour
Stillman & Birn Alpha Series Sketchbook
20.3 x 14.0cm cm (8.0" x 5.5")

My motivation for drawing at least one sketch from life a week is to make sure I keep training my hand eye coordination and the skills to accurately draw a subject. I want sketching from nature to be a reason to get outside and explore. I would like to become more knowledgeable and to develop a joyful appreciation of my environment. I'm keen to visually document my feelings about a place; the mood, the atmosphere and other things that a camera doesn't always capture. The sketches can then be a source of inspiration and reference material for paintings.

Sunday 7 January 2024

Branches

 

Woodchester Beech
Watercolour on Paper
24.5cm x 15.5cm (9.75" x 6")

Branches is the fourth topic in the Tree Techniques chapter of Creating Textures in Pen & Ink with Watercolor by Claudia Nice.

This post has been a long time coming. The topics in this chapter are continuing to be challenging and educational. I made a few false starts on this subject trying to paint winter trees in sunsets. I’ve also been distracted by my new YouTube channel - Mark Bateman Art.

There are two videos about this painting: 

The blurred soft-focused background is painted with the same technique I used in the post about painting A Fuzzy Background.

I gave the tree some form with a modelling wash (mostly light grey with some dark in the shadows) and then slowly built up the shape and texture in layers using drybrush.

The finishing touch was to add some foreground leaves in gouache.

Hopefully, creating videos will become less time consuming and I will be able to get back to drawing and painting.