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| The Elements of Drawing - Exercise 4 Graphite Pencil on Paper 2cm x 18cm (0.75" x 7") |
Exercise 4 from John Ruskin’s The Elements of Drawing is the same as Exercise 3 – except you use a hard pencil (H or HH) instead of a pen. I've been using an old Faber Castel 2H pencil - found at the bottom of a box of neglected drawing tools.
Ruskin's instructions are to use the pencil:
in exactly the same manner as the pen, lightening, however, now with india-rubber instead of the penknife.
He observes:
You will find that all pale tints of shade are thus easily producible with great precision and tenderness, but that you cannot get the same dark power as with the pen and ink, and that the surface of the shade is apt to become glossy and metallic, or dirty-looking, or sandy.
And cautions:
You will be perhaps also troubled, in these first essays at pencil drawing, by noticing that more delicate gradations are got in an instant by a chance touch of the india-rubber, than by an hour's labor with the point; and you may wonder why I tell you to produce tints so painfully, which might, it appears, be obtained with ease.
Ruskin’s remark that “you cannot get the same dark power as with the pen and ink” is an understatement. It seems as though there is a maximum level of darkness you can achieve with a hard pencil. Once you reach this darkness, you can keep adding layers for the rest of time and its not going to get any darker.
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| The Elements of Drawing - Exercise 4 Graphite Pencil on Paper 8cm x 18cm (3" x 7") |
I worked on two bars at the same time and I did some scribbling in between them to gauge the darkest possible dark. On a scale where 0 is absolute black and 10 is absolute white. The darkest dark in the ink scales from Exercise 3 is about 1.5 and the darkest I achieved with a 2H pencil is about 5 - so, not dark at all.
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| Munsell Value Scale |
I used this handy values scale by Paul Centore to estimate the values of the darks.
Hi Mark. I’ve been reading your journey throught Ruskin’s ‘Elements of Drawing’ and have in the past attempted some ot these exercises myself. I’m wondering how you hold the drawing instrament and how layer your strokes down. Also do you have any recommendations on how to use the eraser, if you do use it in these exercises, as I find that it ruins the paper and messes up my values. Thanks for posting your journey through Ruskin’s ‘Elements of Drawing’ and for reading my comment.
ReplyDeleteHi Mark. I’ve been attempting to do this exercise myself for quite some time and have some questions. 1) how do you hold the drawing instrument and 2) how do apply your strokes to achieve this effect. 3) how do you handle the eraser and what kind do you use? I’ve tried it use Indian rubber as Ruskin recommends but it just ruins the paper snd messed up my values. Thanks for posting your attempts at Ruskin’s ‘Elements of Drawing’.
ReplyDeleteThank you for your interest.
DeleteI use a tripod writing grip with the pen. I try to lock my wrist so that I use more of my arm and shoulder in the movement.
With the pencil I use the tripod grip for short lines to fill in gaps. I use an over hand grip and the side of the pencil to lay down the initial layers.
My memory of Indian rubber is in line with your experience. I am using a kneadable eraser and a Tombow : Mono Zero Eraser Pen.
https://www.jacksonsart.com/tombow-mono-zero-eraser-pen-round-tip-white-barrel.
https://www.jacksonsart.com/faber-castell-kneadable-art-eraser
Both allow for very precise erasing and probably make the exercise easier. All the best in your endeavours.